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Kalachakra on Tibet Pilgrimage

jf_kalachakra_buton.jpg Buton's Kalachakra Statue, Zhalu

At Jonang Foundation, we host pilgrimages to power places in Tibet. These pilgrimages are fundraisers for our educational and preservation initiatives. The summer 2011 journey was the second of its kind and included stops at several of the most significant sites for the practice of the Kalachakra in Tibet. During the 2009 pilgrimage, Tulku Zangpo Rinpoche performed a Jonang Kalachakra empowerment at the base of the Jonang Stupa. The summer 2013 pilgrimage will continue along route to visit these sites and climax at Mount Kailash.

Dolpopa on Emptiness

The following post is titled, Emptiness of Self-nature and Emptiness of Other by Cyrus Stearns, a contributing author to the Jonangpa blog. It is an excerpt from the reprint of The Buddha from Dolpo (Snow Lion Publications, 2010). Posted here with permission from the author. [1]

The key in Dolpopa Sherab Gyaltsen's approach is to link his view of the absolute as empty only of other relative phenomena ( gzhan stong ) to the teachings of the Kṛtayuga, as opposed to the teachings of the Tretāyuga and later eons that emphasize even absolute reality is empty of self-nature ( rang stong...

Rongton’s Praise to Dolpopa

Over the summer, I was browsing through a Tibetan book shop and I happened upon the recently reproduced collected works of Rongton Shakya Gyaltsen (1367-1449). As I opened the first volume to look at the table of contents, my eyes were drawn to the title, A Praise to the Great Omniscient Dolpopa Sherab Gyaltsen . [1]

Rongton was a fascinating figure whose writings have not received much attention by western scholars to date. He was the founder of Nalendra Monastery located north of Lhasa, the seat of the Nalendrapa sub-order of the Sakya tradition. Among his numerous teachers were Sonam Zangpo...

A Ngor Kalachakra Mandala

Ngor Kalachakra Mandala Kalachakra Mandala Mandala

One of my favorite themes in tantric Buddhism is the mandala. The replicated symmetry of a perfected space and the implicit dialogue between the deity and the various facets of its environment have always fascinated me.

Recently, I had a chance to look closely at one specific mandala of the Kālachakra, one that is unlike the typical depiction. [1] This particular mandala was commissioned by Lhachok Sengé (1468-1535) from Ngor Evam Choden Monastery, and is one of...

Tāranātha’s Descriptions of Tārā

The following post is titled, "A Description of the Various Aspects of Tārā as Contained in Jonang Tāranātha’s Ocean of Yidam Deities , the 100 Deities of Narthang and the Vajrāvalī of Abhayākara-Gupta." This is the 1st in a 2 part series. By Thomas Roth, a contributing author to the Jonangpa blog.

8green_tara2_600x845a.jpg 8 Armed Tara

Jonang Tāranātha’s famous compilation of yidam deities, known as the Ocean of Yidam Deities , contains the descriptions and short sādhanas for altogether 417 deities. Among them are no less than 42 aspects of Tārā. Tāranātha’s Ocean of Yidam Deities has often been published in omnibus with two other, smaller collections. Namely the 100 Deities of Narthang and the Vajrāvalī , compiled by the famous 12th century Indian scholar and tantric master Abhayākara-Gupta. [1]

The 100 Deities of Narthang contains another two aspects of Tārā, whereas there is only a single one to be found in the Vajrāvalī. That however, is the most important form of Vajra Tārā, whose practice was very widespread, particularly in the Indian regions of Bhaṅgala and Oḍiviśa, which corresponds to most of present-day Bangladesh and the eastern Indian state of Orissa.